supported by spencer parker, iron curtis, frawl, kevin griffiths, nick harris (nrk), jeff k, dario zenker, pezzner, dj deep, red rack em, melon, clive henry, gavin herlihy and many more!

new label sunkissed records brings you the first in a series of fantastic compilation 12inchs featuring choice balearic moments from different artists with the spotlight focused this time on blues rockers fleetwood mac. kicking off the beach party is arthur bakers incredible extended dance version of the mac classic >big love< that became an staple at the early ibiza parties as did the next track >ricky<, a lost 7 inch b-side also caned on the white isle in the late 80s. finally on this side is the more up-tempo disco-tinged >keep on going< keeping the floor moving. kicking off the b-side is the mesmerisingly dreamy groover >hypnotised< a true balearic classic followed by two more sunkissed delights, the sublimely sensual >brown eyes<, and finally >world turning< a bluesy stormer with some amazing percussion that also found much favour in ibiza. an essential slab of vinyl and a must-have for that perfect sunset record box.

the legendary freakazoids return to the 808 to bring back their own slice of electro funk. the freakazoids is the brainchild of lee coombs, nick slater and lanx (later two both of shades of rhythm fame) who came together through their love of old skool electro funk and hip hop and released a string of underground records in the late nineties. after a ten year break and working on other projects the boys have decided to collaborate again and bring back the funk.
>freakazoid experiments< is a brand new track that delivers the old skool electro boogie with a modern twist.
>what is a dj 2012< is a new remake if one of their biggest tracks also aimed squarely at the dancefloor.
oh yeah, dont forget your kangol bucket...

david moufang aka move d (workshop, uzuri) has now joined our >exquisite< artists roster & we can tell you that we are pretty proud to have him on board . move d is a well known producer out there , his ep , >serge & josephine< will fulfill all your expectations , proper deep house here ! on remix(es) duties we have teps finest eddie c (endless flight/composite) taking both tracks into a whole new level (if i may )

after the first release result 001 from alex flatner / hermanez with remxes by christian burkhardt and leon the second release result002 is produced by olene kadar including a big markus fix remix oldeholtwolte – olene – kadar - these three exotic terms describe an extraordinary musician. olene kadar, who is also known as henk van zwol from oldeholtwolde, is an intriguing personality with a remarkable sense for music and hairstyle. in 2007 the young dutchman supplied the nightlife with a series of rocking live-sets in places like the sugar factory and studio 80 in amsterdam. he surprised many a friend and competitor and he has accomplished the fact of you reading his biography. thanks. anotable remark is that this outstanding man has shaped a huge passion for music and creativity. because of his a-typical way of performing he is seen as the most promising liveact of this moment. after an unequalled performance at studio 80 daniel mumbling sanchez already called him the dutch alphex twin coaxingly however, because this is not how henk sees himself. the next critic of his performance at the mos ferry party at the distillery in leipzig, had a more catchy description: chaotic, unconventional , freaky , flachen und minimale beats, verzerrungen, zahlreiche breaks, sublimierter wahnsinn!

the sloths were formed in late 1964 by a bunch of students at beverly hills high school.

new kanada welcomes the mole back into the fold with a heavy image two-tracker from deep in the forest. the slo-mo a-side “dog river” is heavy and raw and dripping with calcified disco echoes. tweaking distant bass, tugging percussion and psyched vocal loops. a serious main-floor builder. on the b-side, colin gets tougher and darker and crafts a potential blackout bomb. grinding pads mix with a morphing bassline to form a dubbed out late-night track - made for the mix.

boys noize – the remixes 2004-2011’ shows ridha’s electro stylings applied to the best and brightest in the industry. spanning over 6 years of work, this album showcases boys noize’s ability to rework source material into his own unique and inspiring compositions. from the stunning beauty of his remix of feist’s ‘my moon my man’ to the emotive synth work on daft punk’s recent ‘end of line’, alex’s touch never fails to impress. when we say ‘the best and the brightest’, we truly mean it, from critically acclaimed legends like david lynch to the cooler than cool n*e*r*d, this release truly has ‘a lot’ for everyone. be curious on the remixes boys noize did for depeche mode, snoop dogg and justice.

latest release from the australian dessert island discs label. huge response and love for the past 3 releases, this one follows suit. big release!

eddie leader teams up with yuriano on this latest ep from the consistently excellent hudd traxx. following a three-track collaboration earlier in 2011 for the mighty plastic city, the duos release another 3 here on the albatross ep.
all three tracks deliver classic deep house grooves. from the swirling opening track side step to the sax infused blue moon and the late night, retro house sounds of selau beats. this one s sure to appeal to those fans of the classic house sounds of guidance and irecords.

luciano s cadenza imprint welcome fresh blood into their reputable fold of producers for the stunning debut cadenza ep from davide benedetti. italian davide, better known as davidino, has been making unforgettable impressions over recent years with his spell binding and peak time music, cadenza now proudly introduce davide benedetti and the >through the years< ep. kick starting with hearty kicks and menacing sirens, >can t do this< reeks of euphoria from the offset as tenaciously strung hats slam, cymbal crashes shimmer and tempos accelerates beyond bounds. flooding the dance floor with sheer force, davide plays with the core structure of classic house and techno music in >can t do this< as he builds and breaks for the ultimate fist punching opener. on the flipside, >through the years< presents >moody elise< with a dark and sultry bass line bellowing through the lower end firmly into our memories. chopping the track s structure with immaculate precision, moments of sophisticated brass break as spitting drums bind the groove once more. as always, davide injects his contagious energy into the ep with stomping, modern house music on >moody elise< as it begs for late night tales and debaucherous behaviour.

a soundtrack for the time of the day when nothing really matters but the music you love. an after-hours musical narrative, crafted in unadulterated authenticity. drivetrain brings on acclaimed writer/vocalist diamondancer, dropping seductive expressions of passion and desire on peppermint kisses, pads and strings provide the enchantment as the sub-bass quakes your body. nate mattimore makes his soiree debute with veteran, todd perrine (the p of the now defunct ph concept) remixing cloudmasterweeds, sunny. after years of individual involvment in the scene, the 2 joined musical forces in 2007 forming a strong production and performing partnership. the mattimoe-perrine remix defines pure, sterilized deepness. blackjacks ever-expanding repetoir of preeminent productions reaches a new level. triaxials impeccable orchestration and grooving bass line effortlessly fuse this late night odyssey. quindrant dub is professor incs dark and techy nocturnal poison. pounding rhythm under mind-bending effects generate proper dance floor dope at the time when you need it most. late night chronicles – music for the bewitching hour.

though classically trained, arthur russells major contributions to the music world is in the dance genre. despite the fact that his pioneering work in the late 70s and on through the 80s was only quietly acknowledged at the time, his long-term impact is best described as formidable. russell died in 1992, but his art lives on and his influence is still felt in the world of dance music and beyond. his innovative, leftfield dance records flew way ahead of what people were used to hearing at the time, due in part to his involvement in new yorks downtown avant-garde music scene.

fright returns after a long absence in which we sought refuge in hades during the hail storm of gothic hysteria that passed over earths minions. some may remember us from the breakthrough debut release from gatekeeper or the unholy italo-techno alliance we shared with antoni maiovvi. now finally, we return, this halloween, with our most ominous mission yet. naum gabo aka glasgows jonnie wilkes (1/2 of optimo) and james savage started their illustrious career with a trio of releases as naum for kompakts speicher series then have most recently gone on to release music on dissident, thisisnotanexit, endless flight, world unknown and most recently optimo music. created and recorded between 2010 and 2011 in their hottrax studio, naum gabo have come up with > the crystal line<, > galena< and > dmitris darkness<. specifically delivered in mind for fright, they keep true to the labels mission of releasing music for unseen films with 3 mid-tempo and certainly melancholic gems that also maintain an unmistakable ng groove for the stranger dancefloors we know and love. an absolute highlight, > the crystal line< is dedicated to the late, great kurt hauenstein aka supermax. superbly cut loud at 45rpm, this epic tribute is what vinyl addicts dream of hearing.

the next ep on germany s hello? repeat imprint comes from seuil, one of paris s most inspired underground producers. in terms of style, it is a match that could hardly be more perfect. hello? repeat has spent the past six years carving a niche for itself with eps from cabanne, audio werner and label co-founder daze maxim, plus acclaimed albums by bruno pronsato and kate simko. seuil, meanwhile, has put out a steady stream of ultra-deep 12-inches on labels like freak n chic and sammy dees ultrastretch. both specialize in a sound that is modern, understated and hypnotic. late call is exactly what its name suggests: a record made for the deepest, most tender portion of the night. the drums are slick and punchy, but the rest is woozy and romantic–this is one to put on when the crowd has stopped chatting and everyone s dancing with their eyes closed. topping it off is a vocal line made famous by diana ross but recited here by an androgynous diva: if you need me, call me, no matter where you are, no matter how far… dark, trippy and weirdly moving, this is one of seuil s finest tracks yet. >slow motion< strikes a similar chord but with a more subtle approach. here you notice seuil s rare touch for subtlety: in the absence of any real >hook<, he keeps the track moving with expertly sculpted drums, a warm half-melody and a gently propulsive beat. soft chords sustain in the background to create a balmy summer night feel. both tracks show seuil and hello? repeat doing what they do best: delivering something deep, functional and full of character.

the tremendous dessert island discs label is going from strength to strength. the latest release features three new late nite tuff guy tracks with a greg wilson retouch of one nite in a disco from the well received did007 thrown in for good measure! too good to miss!!

uttu drop this double aaa banger from chicagos legendary alias g, having released previously a wide selection of gangsta hip hop in the late ninties on labels diverse at trax & missing records, hes recently turned his hand to classic house with the help of local friends marcus mixx, king farley jackmaster funk & gene hunt.

recorded in late 2010 and mixed in a remote studio during the finnish snowstorms of early 2011, donky pitch present >the trick ep<, by helsinki resident and skweee pioneer v.c. six original tracks of synth soaked computer funk, electro inspired slow jams and colourful hip hop heaters. v.c. has been making moves in the skweee scene since the early days (as a solo artist and as 1/4 of supergroup yt). his combination of layered synths, hip hop beats and that type of funk only found in the cold reaches of the nordic region have scored him releases on every skweee label going (flogsta danshall / harmnia / mssy / ddpop / disques mazout) as well as ramp recordings. we felt it only right that he commanded our first true foray into the scandinavian electro funk sound of skweee.

limited 1st run on marbled grey vinyl !3rd in this superb deep techno series, support from: sandwell district, scratcha dva, sigha, james ruskin, mark broom, claude young, steven tang, billy nasty, delta funktionen, miles sagnia, morphosis, ben sims, commix, jerome sydenham, regis, shifted, function etc... surface return with the third in its beneath the surface series, following on from the extremely well received between worlds release. journeys to the deep volume 2. is an important and personal record to nick and the surface camp in general, paying tribute to family elder jessica dunton and her influence on nick and his families lives, and her long fight to continue living against the odds! facing the heavens- sees nick take on his much lauded ever vivid moniker delivering an extremely fitting tribute that somehow blurs the boundaries between the early classic emotive sounds of 90s uk techno, house and 70s funk.. cutting synth lines drenched in soul develop throughout the track taking us on a deep yet strangely uplifting journey, the chord sequence beautifully maintains the mood, but for us at the office its all about the detail, piercing moog leads, emotive strings and rhodes, all driving along at pace on top of a reese type melodic bassline and rolling 808 drums. this is as comfortable in a club as it is at home. timeless in its approach, with a purist touch. on the flip nick duntons >leaving the planet< is an altogether different beast.. beautifully produced and super deep, this is the classic dunton sound of late, harmonic drifts and carl craig 69 era strings morph between lush sustained textures, that somehow float above the powerful pulsing bass, that imitates a heartbeat and really gives this track a haunting feeling that when coupled with the hypnotic phasing drums, and fluttering reverberating stabs make it is as deep as the sea, yet beautifully bass heavy. this is nick taking his wide screen cinematic sound and stripping it bare whilst losing none of the evocative touches that have made his recent music so affecting

after the hugely well received dessert island discs 007, we bring the second in the series. again headed up by late nite tuff guy with another pair of brilliant reworks!

1990. england. a revolution is building across the uk. dilapidated warehouses and factories come to life at night. euphoric teens defy police bans and cordons to embrace life and the dancefloor. acid house has arrived and friends matt (henry lloyd-hughes – >the in-betweeners<) and dylan (jack o connell – >skins<) are at the heart of it. this is their story. welcome to >weekender< – a brand new film that documents the rise of house music and rave culture in the uk in the late 1980s/early 90s.the vinyl offering contains 3 exclusive new edits of seminal acid house anthems >move your body (the house music anthem)< by terry farley & leo zero plus >baby wants to ride< by miles simpson & neville watson

mainakustik presents paride saraceni, from italy who is living in london right now. he delivered two melodic techno biggies for the floors. the title track >walking with the moon< is a warm melodic tune perfect for the late hours. >dreaming tomorrow< is more danceable and floor orientated. remixes comes from no one less then legowelt. his remix sounds like a space journey. the other remix is from our good friend daniel mehlhart who has just started his own label. first pressing comes in transparent orange coloured limited vinyl!

absolute floor banger, two remixes of the famous hellfish vs. producer - daft cant track. with on the a side a vicious hellfish swearing academy remix and on the b side a fast relentless remix by the speed freak. absolutely late night dancefloor material.

stepping out of the shadows in 2007 when just sixteen years old, jokers stock has risen dramatically since. aided by him releasing defining cuts like >digidesign<, >the vision (let me breathe)< and >tron<, he now finds himself thick in the recent resurgence of british electronic music. bbc radio 1s zane lowe premiered >here come the lights< in late july on his coveted hottest record in the world radio spot. moreover joker premiered most of his new albums tracks at the glastonbury festival this past summer, just one stop during a busy summer of worldwide festival performances. with the world traveled and a deal with 4ad signed, he is finally ready to appease his waiting public and release his debut album, the vision. prior to that though, album tracks >here come the lights< featuring silas of turboweekend and >my trance girl<, are being released on a purple coloured double a-side 12 inch.

big late summer special release from cecille, already supported by ricardo villalobos, reboot, tiefschwarz, dubfire, monika kruse, butch, joris voorn, nick curly, karotte, pete tong, johnny d., simon baker, tim green, audiofly, sascha dive, federico molinari, robert dietz ...

already support from pezzner, jimpster, peter kruder, funk d void, roberto rodriguez, stevie sole ...

brandon johnson, the artist known as tridact, has been putting together his mix of analog electronics and beats for some time. growing up in and around santa barbara, california, he has recently traded the beaches and foothills of southern california to move to the forests and mountains of southern oregon. after participating in various bands and other musical projects in santa barbara, he bought a simple setup consisting of a midi sequencer, a sampler and a couple of vintage synthesizers and began creating his own electronic music. over time he built up a small studio and added some live instrumentation into the mix. in the late 2000s, he began posting some of his tracks online, eventually leading to his first release, >light minute<, on the synchronicity suite compilation on moodgadget records, alongside artists such as wisp and mux mool. the track was later re-released on ghostly internationals nocturnal suite compilation. on tridact’s debut album on prins thomas internasjonal label, he creates an eclectic blend of densely layered, melodic, song-oriented instrumental tracks which combine analog synthesizers, guitars and programmed beats. the album draws from influences ranging from 60s pop to disco, house, techno and breakbeat to make a sound that reflects a distinctly pacific coast experience. from the new tridact album (intcd0002) we have cherry picked these tracks for a exclusive vinyl edition spread over 1 12 inch and a 7 inch.

te next release on double standard is the sonic love child of deniz kurtel, guti and gadi mizrahi. conceived at the dawn of a new year inside the marcy hotel, brooklyn, the way i feel ep- is slow, instinctive mood music, beautiful in its simplicity. floating on a lazy groove, title track the way i feel- sounds like the haze of being in love. intimate, sexy and deep, the sultry voice of a lover caresses layers of spaced- out beats drifting through low-key piano notes, distorted and interlaced with the woozy bassline. flip over to the b-side and the vibe of -3am- is muddier and full of eerie, echoing keys and disembodied vocals. with a bassline raw and impulsive, -3am- is the late night counterpart to the early morning bliss of the a-side. fluid in motion, light traces of techno slowly filter though the loose percussive rolls in spontaneous unison. as an integral member of the wolf + lamb crew and one-time resident at the label-s creative source –the marcy, deniz kurtel has since evolved into one of house music-s most exciting producers, releasing her dazzling debut album on crosstown rebels earlier this year. dynamic argentinian producer guti is known for his grooving, latin-inspired techno on labels such as desolat and supplement facts but this ep-s trip into more languid territory is a pure expression of the accomplished jazz pianist-s affinity for experimentation. through his intuitive operations, wolf + lamb and double standard label boss gadi mizrahi has given a home to a variety of deeper sounds filtered through an alternative vision for house music. -the way i feel ep- is double standard at its unadulterated, sensual best.

murmurs main label returns after more than a years absence with an artist who has undergone something of a transformation of late with a future release set for the revitalised and highly revered >classic< label, marc ashken eschews the more stripped down, minimal beats of past releases to bring together a more phatter, housier sound in collaboration with fabio teti on >don do dat< and floyd lavine on flip side track >do dat<. >don do dat< is s chunky house main room house groover and will no doubt be a key feature in many a djs box over the coming months. flip for the >anonym< remix of >do dat< for a techier workout whilst the original version rounds off the package with an altogether more uplifting jaunt

krasimir gyurov (vizar) has dealt with electronic music since 2000. his style is influenced by nature with hypnotic deep pads and mystic drones. in 2004 he made a contact with underground a netlabel scene and several years later he released his first eps for spanish netlabels offaudio and antiritmo. from 2008 he played on the biggest underground techno festival in his country bulgaria - artmospheric festival, where the guests were donato dozzy, brando lupi, dave twomey. ness became interested in electronic music in the late 90s. in 2004 he started djing, taking inspiration from various genres going from trance to pure experimentation. the interest in music led him to attend various courses and audio engineer for some years and the conservatory of his hometown. the need to express his emotions through music led him to experiment and research in recent years that better reflect his sound.since 2009 he founded his own label mono records with his friend bettosun, and releases music in labels such as prologue, sonata and varianz. the experience gained over the years leads to define his dj sets that are characterized by a strong array of techno and house at the same time.

ltd repress !!! following his recent 12inch for blueprint and hot on the heels of another great hotflush title, sigha brings us his own label, our circula sound. emerging from the more experimental side of the dubstep scene in late 2008 with a number of releases on the much lauded hotflush recordings imprint, sighas sound has evolved into a deep, dark, introspective take on techno. he has also worked with great labels like echocord, metalheadz and immerse.

so sound recordings latest acquisition to its roster is a trio from hannover, germany and they are called les loups. ladies and gentlemens if you thought that >french house<was a cool style of music back from the late 90s and early 2000s, think again, because felix littkemann (18), antonio dominguez (19) & philipp landmann (20), are ready to start a disco revolution. being influenced by jazz, indie rock, french house, hip hop the three got together and started to produce french house based on disco samples from the late 70s and early 80s, creating their own trademark sound which is so fresh!

its no secret that melbourne, australia have been on quite a savage tear as of late. melbourne is home to such folks as lewie day (aka tornado wallace), mic newman (aka fantastic man), francis inferno orchestra, weekend express, the tortoise, andy hart, and the rest of the fine folks at melbourne deepcast. for the 11th instalment on our undertones imprint, we are pleased to present a stunning four-tracker of proper, lo-slung melbourne deepness served up by a fresh new talent who simply goes by kitano. we are excited to host his debut release and hope youll join us in welcoming him to the fray!

third vinyl release of escapism musique (emv003) is born from the collaboration between the label owner mindhacker, and the french artist sami wentz (monza ibiza/my litle dog/resopal/plastic city).
the ep contains two original tracks, >late night love< and >for you<, two deep-house / house tracks perfect for the summer, but not only, and two remixes made by jacuzzi boys (cecille/levelnonzero/kindisch/off/below/suara) and lula circus (resopal/ostwind/catwash). the remixers approached a different style, and we are sure one of this tracks will be on your taste. enjoy this beautiful release and feel free to chart it. long live the vinyl!
already supported by: richie hawtin, luciano, sis, marco carola, magda, troy pierce, paco osuna, hermanez, audiojack, claude von stroke, daniel sanchez, alejandro vivanco, michel de hey, nick warren, nils nuernberg, someone else, matteo spedicati, pigi, uglh, sergio fernandez, dualton, nico lahs, khaan, scsi-9, matt star and many many more !

the guy on the couch is the new project of andy rk and the infamous duo of the analogue cops. >golden lady< is a techno flavored house e.p. that will blast every dancefloor. it has been written, mixed and produced at the restoration headquarters with the use of any computer. the tracks has been premastered by the analogue cops in their raw and compromiseless way.
the short a side is so mighty that it has the power to stop time. the beats are tight and the influence of the artists of the second detroit wave is vivid.>the last word< is an evocative deep house track enriched by numerous samples of old crispy records. smooth and addicting, its a late night tune.>drei hunde< has a funky hypnotic groove that set off a wild pitch hook. just six minutes of danger.

the all city harmony show rolls into ornate towers with the a masdelux session ep. kicking proceedings off >i see< is endowed with the kind of boompty bass that immediately brings to mind julio bashmore, complemented by gently cooing vocals and synths that drop in and out of the mix sweetly. the mid section breakdown is divine! moodymanc takes a good long hard look in the mirror with his deep reflection mix of >i see<, stripping back the original to create a genuine late night burner - exactly the kind of quality weve come to expect from this producer. this shares the flips side with another original achs cut, namely >extra funk<, which shapes a broken beat around some killer boogie bass and cleverly arranged funk sample

>celebration, florida< casts scenes of dreamy characters and stories interwoven like a block of primetime tv. among the tales: a young woman who sets off to find a secret paradise, a teenager who enters a boxing gym in catskill, ny, a late night host recounting his rise to fame to his honeybee while traveling in a private jet, shady degenerates who get lost in a mystery concerning a honda civic, a young girl who crimps her hair and spies her dead father driving down the road, a wall street scandal hits a little too close to home, and even a trip through space to find long forgotten hollywood parties and hopefully make it back there in time to walk down the red carpet. the felice brothers are: ian felice, james felice, christmas, greg farley, and david turbeville.
comes with code for free digital download of this album.

after a long break, transmat comes with a new 12! deep, epic tracks with huge club appeal. tip / repress

future boogie - the name of the game, killer disco release / late 80s acid house flavoured... incl rmxs from julio bashmore & pbr streetgang

nang golden-child sare havlicek and bostonian chaz bronz make up the menacingly titled >transatlantic disco alliance<. no, it is not a military organization designed to perpetuate neo-imperialst ideals - its a big ol love-in for 80s tinged soulful disco tunes!

crosstown rebels get set to unleash the power of the model feat. my favourite robot with a vampish feast of 80s proto-house in -still in my heart- followed by a playful epic rework from ivan smagghe and a dose of warped late night techno courtesy of two mesmerising brett johnson remixes. the model makes a storming entrance into the crosstown camp with the original of -still in my heart- spinning a circus of 80s inspired melodies, rave synths, techy bleeps and stabbing bass. my favourite robots soul-penetrating vocals nonchalantly weave a darker thread through the dizzy heights of electro stylings supplying a vein of moody romance

faze action maintain their fine run of form in 2011 with this four tracker from the shack, aka guy williams and dan williams (not related!) both have been active in dance music from the early 90s, with guy holding dj residencies at clubs such as the ministry of sound and turnmills during their pomp while dan williams aka d.r.w carved a career as a singer/songwriter. together as the shack they have absolutely nailed it with >touch it<, a sleazy-does-it italo peak time jam. arpeggiated synth lines, catchy vocal hooks and instant bassline work in jotous unison with some cowbell carnage. the 12 inch comes replete with a dub version and boogie influence faze action remix. rounding off the release is another original cut, namely >dont stop, in which tough drums combine with a late night vocal intoning the track title to bewitching effect. this shack attack has already found its way into the record bags of pete herbert and severino - expect it to be in many more come summer s end.

all the original songs by the most influential bluesman on 180g vinyl.

solid sounds with a nice 4 track vinyl sampler contains track & remixes by the xx, edu ibernon, secret cinema...

once again leng deliver with a lovely bit of heavy electronic stompery. tiagos >the source< goes straight for the dark end of the dancefloor and wallows in the smokey acidic enivirons of the late night moody corner ! with a punchy throbbing bass, hefty beats, tons of spacey effects and some awesome delayed hi hats to really mess your head, this is in the box for the strobe light moment. on side-b >mudds slow rave mix< turns up the acid a few notches, somehow gets even swampier in the bottom end and slightly more whacked out on the fx, add a lovely niggling synth line for a dark heavy dancefloor work out.

vincenzo certainly needs no introduction as one of the dessous and poker flat camps central artists. now he is gearing up to release his next full-length album in 2011, the first single to be featured is the breathtaking >the clearing<. beautifully warm and overflowing with atmosphere, this anthemic modern ode to introspective moments on the dancefloor swirls and builds with incredible depth and clarity. like opening the door to a secret garden full of wonders, this powerful moment of positivity sends unifying waves through clubland. the equally special dub version works the groove further with a straighter edge and an even later night theme emerges through the blissed out wash of chords and subtle harmonies. veteran producer ian pooley is enjoying a comeback of late with his classic soulful house sound once again brought back to the floors. his stunning remix pays tribute to all the power and emotion of the original, while cutting up some old-school flavours and laying down that classic pooley key-led funk.

release number 4 on the scruffy militant wing of the beloved popular peoples front label !! this time around we have a raw, stripped down & acid fueled workout from manchesters miguel manzano. its shot through with the original spirit of late 80s warehouse jams, but rendered in glorious 21st century sonics. on the flip the popular peoples front head back into the dimly lit, sweaty melting pot of chicagos house music past and conjur up a future-retro throwdown of epic proportions